Audiobook Review Tour: SAIL ( Haunted Stars Book One ) Written by LINDSEY R. LOUCKS, Narrated by Kamala Alcantara!@LindseyRLoucks

Author: Lindsey R. Loucks

Narrator: Kamala Alcantara

Length: 9 hours 58 minutes

Series: Haunted Stars, Book 1

Publisher: Evershade Publishing

Released: Nov. 20, 2018

Genre: Paranormal Romance; Science Fiction


Nineteen-year-old Absidy Jones is a ghost magnet, a sensitive person spirits flock to when they can’t cross over. After her brutal past escaping the hordes of ghosts vying for her attention, she spends her reclusive existence melting down iron into bite-sized pieces. Whether alloy or wrought, ancient paper clips or nails, consuming iron is the only thing that keeps the ghosts away.

But when Absidy’s sister goes missing in deep space, a dangerous place brimming with rogue planets, ship-eating nebulas, and vicious aliens, Absidy vows to find her. She leaves her safe haven and boards the first ship she can that’s on a direct route to deep space – a ship that turns out to be haunted.

To keep the malicious ghosts from killing her, the alluring bad boy pilot gifts her a small bundle of all the iron on the ship. But their growing relationship is tested with the crew’s prying eyes and hidden secrets. While the ship sails into deep space, it’s not just her sister’s life that Absidy fears for. It’s her own as well. Especially since her stash of iron has shrunk to zero.

 

Lindsey R. Loucks is a USA Today bestselling author of paranormal romance, science fiction, and contemporary romance. When she’s not discussing books with anyone who will listen, she’s dreaming up her own stories. Eventually her brain gives out, and she’ll play hide and seek with her cat, put herself in a chocolate-induced coma, or watch scary movies alone in the dark to reenergize.

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Narrator Bio

Kamala Alcantara is a Voice Actress & Audiobook Narrator capable of performing a wide range of voices & accents.

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This is the first book in one of the most  imaginative series I’ve read for a while, featuring Absidy a twenty year old student waiting for her family to meet for christmas break. When she finds out that her older sister has gone missing she is determined to find even if she is in black space.
Dressed as a teenage boy called Lewis she ends up as a trainee chief on a small ship with a small crew. Nothing goes right as the ship is haunted and its Absidy sees ghosts. So the adventure starts and takes directions you in directions you can’t imagine. This is a step in the future that is haunting and frightening at times. When Absidy went on board she never imagined she would have deal with Monsters around every corner. The only good thing as far Absidy knows is that Mase knows her secret, and soon they start getting hot and heavy.  I’m not giving anything else away, I don’t want to spoil it for anyone.I thoroughly enjoyed listening to this audiobook, it kept glued to my headphones.

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I received this audiobook as part of my participation in a blog tour with Audiobookworm Promotions. The tour is being sponsored by Lindsey R. Loucks. The gifting of this audiobook did not affect my opinion of it.

Dream Cast

By Author Lindsey R. Loucks

  • Jennifer Lawrence Absidy Jones
    • Whether you love Jen or hate her, she’s proven she can be the tough girl with a don’t-give-a-f*ck attitude and a large dose of vulnerability. That’s my main character, Absidy, in a nutshell. Let’s just add some chains to Jen’s hair and dress her up in a spiked corset, and she’ll be repelling ghosts in no time.
  • Charlie Hunnam – Mason (Mase) Ryan
    • *swoon* Absidy’s love interest is a bad-boy pilot who is thoroughly lickable. Enter Charlie. Enough said. ☺
  • Idris Elba – Captain Glenn
    • Whenever Idris opens his mouth, I listen. He has that quiet command suitable to head a haunted spaceship and could silence an unruly crew member with one (sexy) look.
  • Ian McShane – Randolph
    • Randolph, head chef, is a little bit hairy and a little bit drunk, both things Ian McShane can portray very, very well!
  • Theo James – Doctor Daryl
    • Theo is good-looking, intense, and seems like he’s a bit of a loner, all qualities he shares with Doctor Daryl.
  • Mackenzie Crook – Nesbit
    • He’s a genius engineer who just might be insane, and Mackenzie’s exceptional, unique acting ability would be perfect for Nesbit!
  • Kelly Marie Tran – Moon Dragon
    • Sexy, confident, and funny, Moon has drawn Absidy out of her shell in their shared dorm at college. Moon is Absidy’s only friend, a responsibility Moon takes very seriously. Kelly Marie Tran has that same lovable, sultry allure as Moon.

Giveaway

Prize: 1-Month Audiobooks.com Membership

Sail Giveaway: 1-month Audiobooks.com subscription

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Book Addict

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Jazzy Book Reviews

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Turning Another Page

What Emma Read Next

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Notes from ‘Round the Bend

Dab of Darkness Audiobook Reviews

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Audiobook Review Blog: METAVERSE ( The Splintered Universe Trilogy Book 3 ) written by NINA MUNTEANU, Narrated by DAWN HARVEY!@aliennextdoor @Dawn_M_Harvey

Author: Nina Munteanu

Narrator: Dawn Harvey

Series: The Splintered Universe Trilogy, Book 3

Length: 8 hours 59 minutes

Publisher: Iambik Audio Inc.

Genre: Science Fiction

Hear the scintillating conclusion of the Splintered Universe trilogy.

In Metaverse, Rhea Hawke travels back to Earth, hoping to convince an eccentric mystic to help her defend humanity from an impending Vos attack – only to find herself trapped in a deception that promises to change her and her two worlds forever.

Buy Links

 

Nina Munteanu is a Canadian ecologist and novelist. Her novels include: Collision with Paradise; The Cypol; Angel of Chaos; Darwin’s Paradox; The Splintered Universe Trilogy; and The Last Summoner. In addition to eight novels, she has authored award-winning short stories, articles and non-fiction books, which were reprinted and translated into several languages throughout the world. Recognition for her work includes the Midwest Book Review Reader’s Choice Award, finalist for Foreword Magazine’s Book of the Year Award, the SLF Fountain Award, and The Delta Optimist Reviewers Choice Award. Nina’s latest non-fiction book—“Water Is…” a scientific study and personal journey as limnologist, mother, teacher and environmentalist—was picked by Margaret Atwood in the NY Times as her #1 choice in the 2016 ‘The Year in Reading’.

Nina is a member of SF Canada. Much of Nina’s work is on the environment and sustainability, examining the role and evolution of humanity in the context of nature and technology. Her upcoming novel “A Diary in the Age of Water”, a near-future dystopia that explores the socio-political intrigues of water shortage in Canada, will be released in 2019.

Nina regularly publishes reviews and essays in magazines such as The New York Review of Science Fiction and Strange Horizons. She has been staff or guest writer for several online and print magazines or newspapers including Amazing Stories, Clarion, Niverville Citizen, and CBC Canada Writes. Nina co-edits Europa SF, a European speculative magazine. She was assistant editor-in-chief of Imagikon, a Romanian speculative magazine, and currently edits for Grimoire Books, USA, and Future Fiction, Italy. She has also served as acquisition editor of several anthologies such as “Water” (Reality Skimming Press) and “My Canada” (IOWI). Nina was interviewed or an invited speaker on topics to do with science & climate change, eco-fiction, writing and publishing at: The Globe and Mail, CUIT Radio, Delta Optimist, the Editors’ Association, Gazeta SF, Mississauga News, Impakter, Langley Times, THAT Channel, Observatorul, Planet S, Speculating Canada, Times Colonist, The Commentary, World Poetry Café, Wonderville, CanCon, and When Words Collide, among others. Nina was the science fiction writing Guest of Honour at Limestone Genre Expo in 2016.

Nina has taught writing since 2005 and currently lectures at George Brown College and the University of Toronto. She has been a writing coach and editor since 2005 and has worked with novice and established writers toward successful publication. Her books on writing “The Fiction Writer: Get Published, Write Now!” and “The Journal Writer” (Starfire) are used in universities worldwide. They were translated into Romanian and published by Editura Paralela 45.

WebsiteTwitterFacebookGoodreads

Narrator Bio

Dawn is an actress, singer, voiceover artist, and writer. She has narrated just under 50 audiobooks and is the recipient of both Earphone and SOVAS Awards for her audiobook work. Dawn lives in Calgary, Alberta, Canada, holds both Bachelors and Masters of Law degrees, is the mother of three adult children and shares her life with Dani, the most perfect dog in the world!

Dawn has been performing for as long as she has been able to walk, talk and sing. Her first memory is of being 5 years old, waiting on top of a hill with her family for the fireworks to begin and entertaining the hill full of audience members by dancing and singing “We’ll Sing in the Sunshine”, a song that had been released by Gale Garnett only a week earlier.
A stage and film actress for decades, Dawn began her voiceover career over a dozen years ago. Dawn’s voice has been described as rich, warm, smooth, soothing, calming, sultry, confident, and comforting. Specializing in narration, e-learning, animation and audiobooks, Dawn’s years of acting training enable her to bring characters, their voices and their stories to life. Dawn’s love of learning new accents and developing new characters results in the growth of her portfolio year over year. Dawn’s equal love of learning in general (how many actresses do you know who hold a Masters of Law degree? It might be a sickness, really) has resulted in her acquiring extensive training in acting for film, stage and voiceover over the years and to this day. This, in addition to her years of classical singing, musical theater and dance training, combined with her love of play and fascination with the human psyche (her undergraduate training is a combination of theatre, psychology and oil and gas management), allow her to continually create authentic characters, unique to a project’s requirements.

WebsiteTwitterFacebook

Interview with Detective Rhea Hawke, Galactic Guardian

Interview by Laura Dob of Galaxy News

Laura: Welcome to the studio, Rhea. We’re so pleased that you could take time out of your busy schedule to talk to us.

Rhea: Thank you. Well, my boss told me I had to come and then cleared my schedule.

Laura: Well, that was nice of him.

Rhea: (hardly audible) Not really…

Laura: (clears throat). You’re currently an enforcer for the Iota Hor-2 Precinct of the Galactic Guardians. Is Neon City where you live—when you’re not out chasing the bad guys in your sentient ship, that is?

  1. Rhea: Yes. I live in the eastside in a flat with my tappin, Jasper. I moved there when I started working for the Galactic Guardians. I’m originally from Earth: Vancouver, Canada.

Laura: How does it feel to be the only human in an entirely Eosian Guardian force?

Rhea: Small. Their average height is seven and a half feet. I’m tall for a human female at 6 feet, but I’m still a midget compared to them. Humans generally are small in the galaxy. If you discount the Delenians, Rills and Creons—which most do anyway—we’re pretty much the smallest sentient species in the galaxy.

Laura: (laughs uneasily) How did you become the only human Guardian Enforcer?

Rhea: Plain dumb luck, I guess…

Laura: (shuffles papers). You must be one of their youngest Enforcers at just twenty-three years old. Most are in their forties by the time they earn an Enforcer badge. With so much training involved how did you accomplish that feat?

Rhea: I started out young.

Laura: So, tell us about your sentient ship. It’s different from the regulation Guardian ships, isn’t it? Why did you choose it—

Rhea: I didn’t choose Benny. But I’m very happy with him. Benny is a ray class ship, a hybrid of old organic, nano-technology that uses brainwaves and new technology that uses kappa particles collected through fuel scoops from gas giants. My ship was built by Tangent Shipping, owned and operated by Fauche ship-builders. As far as I’m concerned, the Fauche are the best ship-builders in the galaxy.

Laura: Tell us a little about the equipment you use in your work? Like that savory coat. You call it a Great Coat, don’t you? Is it standard Galactic Guardian issue?

Rhea: The coat is intelligent, made with thixotropic material, which protects me, alerts me and provides some enhancing features that help me maneuver out of challenging situations.

Laura: The standard weapon of the Galactic Guardian is the pocket pistol. But you use something different; I hear that you designed your own non-regulated weapon. Is that it, holstered on your hip? I’ve heard it called a MEC…

Rhea: (pulls out the hand gun). MEC stands for Magnetic-Electro-Concussion pistol. It’s a wave-generating weapon that’s programmable to specific vibrations and wavelengths unique to the DNA of animate and inanimate things. I can program it to do different things to different things in one sweep. This essentially makes the MEC a discerning weapon with distinguishable endpoints from rendering someone unconscious to a swift kill.

Laura: As a Galactic Enforcer, you’re known as a loner who drives a non-regulation ship and uses unconventional ways to complete your missions. Some have criticised your methods as unreliable, shoddy—even dangerous. One Galactic Enforcer told me that no one wants to work with you because—

Rhea: I didn’t join the force to make friends. I became a Guardian to help make things right. I get the job done. There’s no nice way of getting rid of scum, murderers, and terrorists. People have to decide if they want a safe galaxy or if they want to be politically correct in an unsafe one.

Laura: Does that include the Rill rebellion on Omicron 12 where you murdered over a hundred insurgent Rills with that very MEC you’re holding?

Rhea: ‘Talking without thinking is like shooting without aiming’—Old Chinese proverb… It was seventy-seven terrorists I killed.

Laura: (after tense pause in which interviewer notes that Rhea has not put away her MEC) Ok… Well… I heard a story from your mother—

Rhea: You spoke to my mother?

Laura: —that you wanted to be an artist when you were young…

Rhea: ‘Dress the monkey in silk and it is still a monkey.’ Argentinian proverb.

Laura: Eh… right… So, what’s your favourite holiday place when you take time off?

Rhea: I don’t take time off. Except for interviews my boss tells me I need to do, that is…

Laura: Eh… right… So, what’s your favourite drink—or drug— and favourite place to get it?

Rhea:(finally smiling) Well, I am rather partial to Plock Nectar but my favourite drink is soyka and one of the best places to get it is right here in Neon City. It’s a funky Italian-Scandi café on Elgin Street in The Hive, called The Muddy Pit.

Laura: Thank you, Rhea, for talking to us. I wish you well in your journeys.

Rhea: Thank you, Laura. You too.

Lexicon of “Splintered Universe”

soy•ka \ sói-kä \ n : a soy-based warm drink like coffee; stimulant

Spice \ spīs \ n : a mild psychoactive drug in common usage

Spo•ri•an \ spó-rē-ən \ n : a very tall, pear-shaped lanky greenish species with elongated head and leather-like skin, long limbs and large bulbous eyes from Spor in the 18 Scorpii system

synth•flesh \ sinth-flesh \ n : real skin molecules and synthetic materials combined by nano-technology, used in synthplast

synth•plast \ sinth-plast \ n : prosthetic made of a combination of real skin molecules and synthetic flesh combined by nano-technology

Tan•gent Ship•ping \ Tan-gent Ship-pēng \ n : the name of a Fauche ship building company

tap•pin \ tap-pin \ n : a small domesticated cat-like mammal with fangs and three tails, indigenous to Iota Hor-2

1teck \ tek \ n : a permanent genetic change induced through nano-technology developed by Eosians by acting at the DNA level

2teck \ tek \ vb : the act of applying a teck, usually done by a qualified nano-genetics doctor

Tocan \ tō-can \ n : a rare insect-like creature indigenous to the Upsion Andromedae system from whose larvae a natural protein fibre is spun to create the shimmering tocanai fabric used in the creation of expensive suits

Tocanai \ tō-can-aē \ n : the name give to the fabric produced from the fibre spun from the tocan larva

U•ly•sses \ eu-lis-sēz \ n : a space station built by Zeta Corp Aeronotics of Earth; a self-sufficient long term agrarian colony in the vein of an O’Neill Colony with a set of large rotating cylinders many kilometres long and thousands of meters across with large gimballed mirrors; the station maintains a circular motion of 1 rpm to create artificial gravity

Ve•nik \ Ve-nik \ n : a large reptilian-like scaled creature from the HD177830 system with indolent eyes with several sets of arms with poisonous claws and “mouths” or orifices; Veniks are known for their violent and unprincipled nature; they are one of the few species that still actively trade in slaves

vish•na \ vish-nä \ n : a species of tree with thorns and violet flowers, thought to be sentient and linked to an ancient soul, of unknown origin but currently found as the major component of Eosian and Earth forest ecosystems

vizion \ viz-ēôn \ n 1 : a small very strong and tenacious mammalian creature of unknown origin adj 2 : a term used to describe a powerful grip based on the vizion

Vos \ Vôs \ n : presumed extragalactic war-like species of which very little is known

wa•kesh root \ wä-kesh root \ n : edible root, indigenous to the planet Sekmet, with strong psychoactive properties

Weep•ing Moun•tains \ wēpēng Mountənz \ n : extremely steep and jagged mountains that define and surround the Boiling Seas of the planet Horus (47 Uma a). Microbes, created in the mountains and coat the surface of the Boiling Sea, excrete a narcotic oil (shallik oil) that numbs and hypnotizes prey

Xhix \ ziks \ n : a chameleon-like species with multiple eyes capable of wide wave-length vision and changeable skin according to mood, indigenous to the 37 Geminorum system

Zeas Corporation \ zēss cōr-pōr-ā-shän \ n : a galactic trading company specializing in exotic foods and merchandize

ZetaCorp Aeronautics \ ze-ta-cōrp ā-rō-nô-tics \ n : a major galactic ship builder originating on Earth

Phonetic symbols based on Merriam Webster’s Collegiate Dictionary and the Dictionary of Pronunciation by Abraham Lass and Betty Lass.

Well this episode of the space trilogy is everything I wanted and more. Rhea founds out more about her family and her heritage. Rhea and her helpers are running out of time so save the outer verse from war. There is so much happening in this book it keeps you listening far into the night. Finally we get all the answers and even some a happy ending for some of the characters. 

The Narration was perfection Dawn is Rhea. As I always feel with audiobooks if I am in the world I’m listening too, I don’t notice the narration. I wasn’t pulled from this exciting story once, thank you Dawn!

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I received this audiobook as part of my participation in a blog tour with Audiobookworm Promotions. The tour is being sponsored by Nina Munteanu. The gifting of this audiobook did not affect my opinion of it.

Giveaway

Prize: Print copies of the Trilogy set

The Splintered Universe Trilogy Giveaway: Print Copies of the Trilogy

Book One

Jan. 8th:

Assorted Nonsense

Jan. 9th:

Jazzy Book Reviews

Jan. 10th:

Dab of Darkness Book Reviews

Jan. 11th:

Book Addict

Jan. 12th:

The Book Addict’s Reviews

Jan. 13th:

Smada’s Book Smack

Jan. 14th:

Chapter Break

Lilly’s Book World

Book Two

Jan. 15th:

Assorted Nonsense

Jan. 16th:

Lilly’s Book World

Jan. 17th:

Jazzy Book Reviews

Jan. 18th:

The Book Addict’s Reviews

Jan. 20th:

Book Addict

Jan. 21st:

Chapter Break

Book Three

Jan. 22nd:

Assorted Nonsense

Jan. 23rd:

Lilly’s Book World

Jan. 24th:

Book Addict

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Dab of Darkness Book Reviews

Jan. 26th:

Jazzy Book Reviews

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The Book Addict’s Reviews

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Chapter Break

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Audio Review: REPEAT by New York Times Bestselling Author KYLIE SCOTT!@kylieScottbooks @InkSlingerPR

Repeat by Kylie Scott

 

Blurb:

From Audie Award winning, New York Times best-selling author Kylie Scott comes an irresistible new romance— available in audio first!

When a vicious attack leaves 25-year-old Clementine Johns with no memory, she’s forced to start over. Now she has figure out who she was and why she made the choices she did – which includes leaving the supposed love of her life, tattoo artist Ed Larsen, only a month before.

Ed can hardly believe it when his ex shows up at his tattoo parlor with no memory of their past, asking about the breakup that nearly destroyed him. The last thing he needs is more heartache, but he can’t seem to let her go again. Should they walk away for good, or does their love deserve a repeat performance?

 

AUDIBLE|KINDLE|PAPERBACK|NOOK|APPLE|KOBO

♥♥♥REVIEW:♥♥♥

 Clem wakes up after a vicious attack that leaves with amnesia and remembers nothing about her life before. While trying to find out more information about her past. Clem visit a tattoo parlor out to speak to the owner about a tattoo she has. When meets Ed the artist, she encounters nothing but hostility. Clem is amazed to finds out Ed is her ex and she broke his heart.

Clem has no memory of their relationship or any feelings. Ed is fantastic helping Clem even though she is different from before. The new Clem is more forthright and speaks her mind and is lovely and snarky. The story is told from Clem’s pov, and wonderfully done.

This book blew me away, Andi Arnt was fantastic as Clem, your pulled into the story and can’t stop listening. This is one seating listen, walking around with earphones all day. The love interest is sexy swoony Ed the absolute best book boyfriend. A five star listen. I loved it. This is an Audible Original, the book will be release later in the year.

gold-stargold-stargold-stargold-stargold-star

Meet Kylie Scott

kyliescottimage

Kylie is a New York Times and USA Today best-selling author. She was voted Australian Romance Writer of the year, 2013 & 2014, by the Australian Romance Writer’s Association and her books have been translated into eleven different languages. She is a long time fan of romance, rock music, and B-grade horror films. Based in Queensland, Australia with her two children and husband, she reads, writes and never dithers around on the internet. You can learn more about Kylie from http://www.kylie-scott.com/

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Audiobook Review Blog Tour: INNER DIVERSE ( The Splintered Universe Trilogy Book 2 ) written by NINA MUNTEANU, Narrated DAWN HARVEY! @aliennextdoor @Dawn_M_Harvey

Author: Nina Munteanu

Narrator: Dawn Harvey

Series: The Splintered Universe Trilogy, Book 2

Length: 12 hours 35 minutes

Publisher: Iambik Audio Inc.

Genre: Science Fiction

Detective Rhea Hawke continues her quest for truth and justice in a world that is not what it seems. Rhea’s search takes her to the far reaches of the known universe from the Weeping Mountains of Horus to the blistering deserts of Upsilon 3. Amidst the turmoil of an imminent extra-galactic war, Rhea holds the key even as those she trusts betray her. No one is what they seem…

This is Book 2 of the Splintered Universe series.

Buy Links

 

Nina Munteanu is a Canadian ecologist and novelist. Her novels include: Collision with Paradise; The Cypol; Angel of Chaos; Darwin’s Paradox; The Splintered Universe Trilogy; and The Last Summoner. In addition to eight novels, she has authored award-winning short stories, articles and non-fiction books, which were reprinted and translated into several languages throughout the world. Recognition for her work includes the Midwest Book Review Reader’s Choice Award, finalist for Foreword Magazine’s Book of the Year Award, the SLF Fountain Award, and The Delta Optimist Reviewers Choice Award. Nina’s latest non-fiction book—“Water Is…” a scientific study and personal journey as limnologist, mother, teacher and environmentalist—was picked by Margaret Atwood in the NY Times as her #1 choice in the 2016 ‘The Year in Reading’.

Nina is a member of SF Canada. Much of Nina’s work is on the environment and sustainability, examining the role and evolution of humanity in the context of nature and technology. Her upcoming novel “A Diary in the Age of Water”, a near-future dystopia that explores the socio-political intrigues of water shortage in Canada, will be released in 2019.

Nina regularly publishes reviews and essays in magazines such as The New York Review of Science Fiction and Strange Horizons. She has been staff or guest writer for several online and print magazines or newspapers including Amazing Stories, Clarion, NivervilleCitizen, and CBC Canada Writes. Nina co-edits Europa SF, a European speculative magazine. She was assistant editor-in-chief of Imagikon, a Romanian speculative magazine, and currently edits for Grimoire Books, USA, and Future Fiction, Italy. She has also served as acquisition editor of several anthologies such as “Water” (Reality Skimming Press) and “My Canada” (IOWI). Nina was interviewed or an invited speaker on topics to do with science & climate change, eco-fiction, writing and publishing at: The Globe and Mail, CUIT Radio, Delta Optimist, the Editors’ Association, Gazeta SF, Mississauga News, Impakter, Langley Times, THAT Channel, Observatorul, Planet S, Speculating Canada, Times Colonist, The Commentary, World Poetry Café, Wonderville, CanCon, and When Words Collide, among others. Nina was the science fiction writing Guest of Honour at Limestone Genre Expo in 2016.

Nina has taught writing since 2005 and currently lectures at George Brown College and the University of Toronto. She has been a writing coach and editor since 2005 and has worked with novice and established writers toward successful publication. Her books on writing “The Fiction Writer: Get Published, Write Now!” and “The Journal Writer” (Starfire) are used in universities worldwide. They were translated into Romanian and published by Editura Paralela 45.

WebsiteTwitterFacebookGoodreads

Narrator Bio

Dawn is an actress, singer, voiceover artist, and writer. She has narrated just under 50 audiobooks and is the recipient of both Earphone and SOVAS Awards for her audiobook work. Dawn lives in Calgary, Alberta, Canada, holds both Bachelors and Masters of Law degrees, is the mother of three adult children and shares her life with Dani, the most perfect dog in the world!

Dawn has been performing for as long as she has been able to walk, talk and sing. Her first memory is of being 5 years old, waiting on top of a hill with her family for the fireworks to begin and entertaining the hill full of audience members by dancing and singing “We’ll Sing in the Sunshine”, a song that had been released by Gale Garnett only a week earlier.
A stage and film actress for decades, Dawn began her voiceover career over a dozen years ago. Dawn’s voice has been described as rich, warm, smooth, soothing, calming, sultry, confident, and comforting. Specializing in narration, e-learning, animation and audiobooks, Dawn’s years of acting training enable her to bring characters, their voices and their stories to life. Dawn’s love of learning new accents and developing new characters results in the growth of her portfolio year over year. Dawn’s equal love of learning in general (how many actresses do you know who hold a Masters of Law degree? It might be a sickness, really) has resulted in her acquiring extensive training in acting for film, stage and voiceover over the years and to this day. This, in addition to her years of classical singing, musical theater and dance training, combined with her love of play and fascination with the human psyche (her undergraduate training is a combination of theatre, psychology and oil and gas management), allow her to continually create authentic characters, unique to a project’s requirements.

WebsiteTwitterFacebook

  • When did you know you wanted to be an audiobook narrator?
    • I knew I wanted to be an audiobook narrator the first time I ever heard an audiobook. I don’t know when that was but probably 30 or 40 years ago (now I’m just showing my age). Despite wanting to be an audiobook narrator, it wasn’t something that I could realistically consider. At that time, audiobooks were only produced in studio, and that pretty much meant either New York or LA for the North American market. Being Canadian, I would have had to obtain a visa to work in the US and that would have been difficult to do as I could not acquire the experience necessary to qualify for it. So, I didn’t give it a second thought.
    • Much later in life, I began to do voiceover work and, while exploring the multitude of genre options available to pursue in the voice over world, I was quite predictably drawn to audiobooks. My first audiobook narration class was in 2009 in Los Angeles with Scott Brick, a grand master in the industry, and I have never looked back. I knew immediately that audiobook narration was my home. I do work in other areas of voiceover, as well as doing film work, and I continue to receive acting and technical training in all mediums, but I have concentrated much of my continuing education and networking in the area of audiobooks since taking that first class with Scott.
    • With advanced technology came high quality, reasonably priced home studiosmaking voiceover, including audiobooks, a career you can pursue no matter where you live. I can record from my home studio anywhere on the planet for clients from anywhere on the planet. That has made it possible for me to do the job that I may have been born to do.
  • How did you wind up narrating audiobooks? Was it always your goal or was it something you stumbled into by chance?
    • I began performing at a young age, falling in love with both acting and singing. In high school, while pursuing singing and acting, I discovered the law. It became a second love and I couldn’t decide whether to become an actor or a lawyer. So, I just did both!
    • In the late ‘90s, I ran into some serious problems with my knees. I was way too young for those kinds of problems, so I started to panic a little bit about how I would be able to perform if I could no longer walk. Where I live, the opportunities are rare enough without throwing a wheelchair into the mix! After an initial period of panic (it felt like years but it probably wasn’t), I had a eureka moment and realized that I could become a voice actor and perform just fine. So, within a few years, I began studying voice acting.
  • A lot of narrators seem to have a background in theatre. Is that something you think is essential to a successful narration career?
    • Today, everyone with a USB microphone and a computer thinks they can be a voice actor. But, they neglect to give weight to one very important word in the name of the profession, and that is “acting.” The profession and the art is “voice acting.” First and foremost, it is acting and that applies to every genre of voiceover.
    • And you should be thankful for that because when non-actors are hired to do this work, the outcome is often less than satisfying. In the corporate world, I have had to watch many eLearning videos on different aspects of the company and it was evident when an administrative employee did the narration as part of their job vs. when it was voiced by a professional actor. The former is often a very painful experience, through no fault of the employee. Acting requires training or, at least, good acting does!
    • When I consider the various forms of acting, it seems clear to me that audiobook narration is one of the most difficult acting jobs there is. Usually when we act, we only need to know how be one person. So, we work to understand that one person’s history, wants, needs, challenges, relationships to others in the story, and their part in the larger story that is being told. When we narrate an audiobook, we are everyone in the story and we need to understand the story from every character’s point of view. We need to figuratively leap in and out of people’s heads, including the narrator’s in the case of third-person fiction or non-fiction. We need to understand and portray every character’s personality, desires, problems, relationships, etc., to one degree or another, depending upon their importance to the story being told – not to mention that each must have their own “voice.” It is extremely focused and detailed work.
    • If you are working from a home studio, you are usually also the director and the engineer. So when you actually do the recording part of audiobook narration, you are already wearing three hats; the engineer, the director and the actor. And as the actor, you are the person who must know all of the technical details of recording such as being aware of mic proximity, deftly handling page turns, listening for outside noise while you record, etc. You are also the narrator, and every other character in the book, responsible for understanding every character and for mastering pronunciations and accents to the point where they sound natural to the characters who are saying those words or who have that accent. So, if you think of the Game of Thrones, the first book in the Fire and Ice series, for example, the narrator created 224 different characters. I haven’t seen any research on the point, but I would venture to guess that an average novel would have between 30 and 50 characters if you take into consideration all of the minor or tertiary characters such as the server at the restaurant or the taxi cab driver. So, even in an average audiobook, the narrator must have either a very large toolbox full of characters or a method to create them.
    • When performing non-fiction, it is important to remember (as one of my coaches, Sean Allen Pratt, is fond of saying) that non-fiction is not non-acting. I’m sure we’ve all had the teacher who was so dry and boring that we could barely stay awake during their lecture, even if we were interested in the subject! That’s what happens when you try to listen to a non-fiction book narrated by a non-actor – a potentially dangerous situation if you’re driving!
    • So, the short answer is ‘yes,’ acting training is imperative in this work. But, that doesn’t mean that if you haven’t spent a career as an actor you can’t do this work. It’s just something that you will have to work harder at learning than someone who already has an acting background. Some people, through raw talent or other life experiences, need little coaching to get to a place where their acting skills begin to shine. And, like any profession, the training is never finished. We are always striving to get better; so the acting training should continue for as long as you continue to do the work.
  • Are you an audiobook listener? What about the audiobook format appeals to you?
    • Yes, I am an avid audiobook listener. I used to listen to audiobooks with my kids anytime we went on long drives, long before I realized it was an occupation that I could now pursue. Once I began working on becoming a narrator, I became a constant listener. I look for reviews of books that have won awards. When I find a review noting that a narrator is doing something that I want to master, I listen to that book to gain more knowledge about my craft. The bad thing about doing that is, because I’m usually only listening to the very best narrators, the storytelling is so good that I often forget I’m supposed to be paying attention to technique and just get lost in the story! In addition, I listen to non-fiction books on topics I’m exploring either personally or professionally. And, of course, anything written by Stephen King or John Grisham!
    • Part of the rise in the popularity of audiobooks derives from the fact that we all carry devices that can contain entire libraries. Anytime you are doing a task that uses a different part of your brain than where language is found, such as gardening, cleaning, ironing, exercising, driving, painting, knitting, etc., you can be listening to an audiobook. So, where I used to have shelves filled with books I didn’t have time to read, I now have apps filled with audiobooks I don’t have time to listen to! However, even with my overburdened schedule, I still manage to listen to about a book a week. Even if I’m just driving to the store – 10 minutes here and 10 minutes there adds up during the course of a week. I could never manage to read as much as I do were it not for audiobooks. And, if you actually have time to read as well, with whisper sync you can read when it’s convenient and then listen when it’s not because your book syncs to the place in one medium where you left off in the other. It’s the best of all worlds, really.
  • How closely do you prefer to work with authors?
    • The closer the better. I have such admiration for authors in general (now that I’m becoming one, that statement may start sounding a bit self-serving – LOL). I am in such awe and wonder over the ability of people to pull these incredible stories out of their imaginations, creating such real worlds occupied by real people and real emotions. Whatever we do as actors, we are only piggybacking on the creativity of the people who actually write the stories. So, if for no other reason than that I’m a fan girl, connecting with authors is always a treat for me.
    • In terms of the specific books that I’ve narrated, being able to work directly with the author allows me to have their input while creating their world and realizing their truth. Collaboration always results in a better product, so if the narrator and the author can collaborate, the resulting work will be so much more satisfying for the listener as well as for the author. I never want the author to listen to a recording I have done and flinch or cringe at anything. A simple point to illustrate this has to do with the name of the central character in the books written by Nina that are the subject of this podcast. The lead character’s name was spelled R-H-E-A. That could either be Ree-a or Ray-a. The audience doesn’t care which way I say it as long as it is consistent. However, if Nina had Ree-a in her head when she wrote the books and I kept saying Ray-a, or vice versa, it would bother her every time she listened to the books. I don’t want that for her. I want her to love the audiobook even more than she loved the written book because it is more; it has had a whole other layer added to it, and she should enjoy the benefit of that additional layer. So, I was very grateful for the opportunity to be able to collaborate with Nina and get her input on how those words sounded. Particularly as this series contains so many foreign, scientific and invented words. Again, the audience wouldn’t care so long as I was consistent, but I wanted it to be Nina’s vision and Nina’s words, not mine. I am but the vessel through which her story flows!
  • Do you read reviews for your audiobooks, and if so, which ones stand out to you most, positive or negative?
    • Yes, I do. Acting is a very subjective art. Acting in audiobooks is no different. Some people will love what you do while other people will hate the exact same performance. You can’t please all of the people all of the time so it’s important not to allow the reviews to damage you personally. For example, I had a book where two reviews in a row said the exact opposite things. One said something to the effect of “I do not know who hired this narrator but she should never work again. Listening to her is like listening to nails on a chalkboard.” The very next review said “I could listen to this narrator read to me forever. I’d listen to her read the phone book.” Must have both been older listeners; do they even have chalkboards or phone books anymore? In any event, this was the exact same book. So, you have to take those completely unconstructive comments with a grain of salt. I do, however, look for patterns. If I find a similar comment across numerous reviewers or numerous books, I will pay attention and consider that they may have a valid point and that this may be an area I need to work on. So I do see utility in the reviews.
    • And of course, people in general don’t take the time to say something unless it’s negative so the star count is probably a better indication of how much people enjoy your work. I know that I am guilty of not writing reviews. I almost always mark the star count but I’m generally driving when I’m listening to audiobooks so I can’t really take the time or risk involved to write a review at that particular time and I almost never get back to it later. A star I can pull off at a red light!
    • We are always appreciative of those who take the time to say something positive, and I will often use those reviews in my marketing materials. As actors, we are always looking for work so keep those (positive) cards and letters coming!
  • Who is your “dream author” that you would like to record for?
    • Well, of course, Stephen King. I fell in love with his work when I was 17 and read The Stand overnight in one sitting. I am truly his number one fan – and please feel free to remind him of this! I’m working on sending a message out to the universe for him to review my work and connect with me for the next book he releases that requires a female narrator. Most of his writing is male first person or male-third person. And understandably so. He does, however, occasionally write books that are suitable for a female narrator. And so, Stephen, the next time you do that, I’m your girl. And, of course, John Grisham. As a lawyer and an audiobook narrator, wouldn’t I be the perfect choice for John? So John, the next time you need a female audiobook narrator, here I am. And, for both of you, I will record these books for no upfront fee whatsoever. If you would like to just assign me one quarter of a percent of sales? One tenth of a percent? I’m pretty sure I’d be good with that. LOL
  • What do you say to those who view listening to audiobooks as “cheating” or as inferior to “real reading”?
    • I would say that they need to do some research because they would soon find that listening is not cheating. In fact, used in combination with the paper/e-book, it is an absolutely brilliant way for children to learn how to read and properly pronounce words and for everyone to improve their vocabulary and pronunciation. As a narrator, and I know I am not alone in this, a proof listener once caught me on a word that I had apparently been pronouncing wrong my entire life (and I have found some of those myself prior to handing it off to the proofer – look up “shone.” Most of us say it wrong!). Some words we have only read but never heard. We decide in our heads the first time we see that word how it is to be pronounced and then we always “hear” it that way when we read it. Sometimes we may look the word up when we first hit it but often we don’t. When listening to an audiobook, we hear the proper pronunciation of words (assuming the book had good narrators and proof listeners). When listening to an audiobook while following along with the written words, children not only learn proper pronunciation, they are able to listen to material that is several grade levels above their reading ability, increasing their reading, written and spoken vocabulary. Particularly for boys, who are generally not as interested in reading as girls in the first place, this means that they have access to a much broader range of materials and this may increase their interest in reading. And since earlier research has shown that better readers are better students, we are doing children a great disservice if we are NOT including audiobooks in their very early education.
    • So I would say that those people are simply wrong and missing out on a really great thing!
  • What bits of advice would you give to aspiring audiobook narrators?
    • This is a very competitive business, as is all acting work. You need to understand that it is in fact “acting” and that having a “nice voice” is not necessarily part of the equation in determining whether or not you will be successful. If you are an actor, and even a voice actor, you will need to spend time studying this art form, as it is as different a medium as stage is to film. If you have no acting experience, you will need to train in acting. There are some “naturals” but, for most people, there’s a lot to learn, not the least of which is finding the courage to wear your heart on your sleeve and open yourself up completely for inspection by the world. That is the “bravery” that is being referred to when people talk about how brave actors are. Most people try to hide their pain and weaknesses; actors must bare it for the world to see, or hear in the case of audiobooks.
    • And, as many of us work from home studios, the learning involves many other areas. A fairly comprehensive list of the other skills you will need to develop if you don’t already have them include:
      • deciding what hardware and software to buy
      • understanding how to use the software and hardware
      • building and using a home studio
      • understanding proper recording technique from both sides of the mic
      • story analysis
      • character creation
      • conducting online research
      • learning accents
      • pronouncing words in foreign languages (like you are a native)
      • directing
      • learning how to emotionally connect with material
      • editing
      • running a small business, and
      • marketing
    • The marketing part of the business is key, whether to increase sales of royalty share books, or to attract authors and publishers to your narration services. This is a business like any other and needs to be treated as such. Acting in general is different from most businesses because actors are constantly looking for work, even when they’re working. It’s nice to get repeat clients, and I think the audiobook world in general is probably better at that than many other types of acting work, but it is part of the job to do the marketing and treat it like a business, not an “art.” The actual narration is an art but if they don’t know that you’re out there, they don’t hire you. If they don’t hire you, you don’t eat. If you don’t eat, you need to change jobs.
    • It’s important to realize that the audiobook industry is small and relationships are important. The producers are regularly inundated with solicitations from people who have a computer and a mic and think, “Anyone can read out loud.” These are busy people who can’t afford to have their time wasted. They are very open to, and always looking for, new talent, but they also have to be protective of their time. They don’t have time to work with difficult or untrained people. And you need only one opportunity to make a really bad impression. They need to know that you are capable of doing good work for them, that you follow the rules, and that you meet deadlines. They care equally that you are a good person, that you are easy (better yet, fun) to work with, and that you make their job easier, not harder.
    • So, you absolutely need to learn good audiobook narration skills. But you still won’t get enough work to make a career out of this if you don’t also take care of all of the other matters. This is not a career for people who want to cut corners and take the easy way. This is very detailed, focused, concentrated work. If that is not the kind of work you like doing, this probably isn’t the job for you.
    • On the other hand, if this work suits you, it is eminently rewarding. This kind of storytelling is powerful and has an amazing reach, meaning you can have an amazing reach and impact. And, you are creating a legacy with every title you narrate. These are books. They’ll be around for as long as we are (or longer but who’d be here to listen?).
    • I narrated “Alice in Wonderland” a few years ago thinking North Americans might like to have a North American accented version for their kids to listen to. Unfortunately, it came out a week before Scarlett Johansson’s recording of a North American accented version, so you can imagine how that went for me! But my cover is absolutely beautiful and hers is not, so take that Ms. Johansson (it really is, here’s a link – Alice)! In any event, that book is never going to go out of style and assuming we don’t completely destroy the planet first, my grandchildren’s grandchildren’s grandchildren will be able to listen to me read it to them. That’s pretty special, and not something common in voiceover work. It’s a pretty amazing job, but you need to be committed, resourceful, willing to accept criticism, able to withstand rejection (standard actor stuff), willing to work to improve, and just willing, in general, to work really hard. For some of us, it is completely worth it. In any event, it all feels like play when it is your passion and I get to say “People pay me to read stories to them!” Does it get better than that?
Guest Post

Why Ya Gotta Listen to The Splintered Universe by Nina Munteanu

Because of Dawn Harvey. It’s that simple.

If you haven’t listened to a book narration by Dawn Harvey before, you’re in for a treat. When I first embarked on this audiobook project, I had no idea what to expect. I give full credit to the original audiobook publisher, Iambik, who have since closed their doors (my books are currently carried and produced by Audible). Iambik introduced me to Dawn Harvey. She was one of three narrators they’d short-listed for me to audition. I had a short bio of each narrator along with a sample of their reading.

I knew nothing about the process of narration or turning my print book into an audiobook. But, I did know what I needed in the voice of my book:

1. The story is told in the first person by Galactic Guardian Rhea Hawke, a cynical angry human in a world of aliens; Rhea hates the colleagues she works with. They consider her puny and incompetent and rash and continually remind her of some of her earlier disastrous mistakes. Rhea’s voice had to reflect a gritty hardness and sarcasm, while betraying a hidden compassion and kindness. Dawn’s voice nailed it. Dark and rich like a good cup of coffee, Dawn captured Rhea completely. The grit. The hardness. The irony. The vulnerability lurking beneath it all.

2. The story takes place throughout the galaxy and Rhea encounters over twenty different alien species—all of which needed a distinct voice when conversing with her. Dawn showed incredible versatility in capturing their voices according to the alien’s morphology and culture, which I provided. One of the aliens has five mouths and speaks in a multi-timbral voice; Dawn successfully portrayed it!

I was gobsmacked when I listened to the final recording of Outer Diverse (the first book in the trilogy). It was as though I was experiencing the story for the first time—as if I hadn’t written it myself—I was right there, exploring with Rhea Hawke, journeying to the outer planets of the galaxy. Dawn had breathed life into my character and my story. I was totally unprepared for my reaction. Voice artists would explain her techniques: her prepared pauses, tone, speed, inflections, etc. I knew they were there. But that didn’t seem to matter; what mattered was that she’d embraced both my main character and the story and it all came out in her voice.

So, give Splintered Universe a listen and treat yourself to the entertaining narration of Dawn Harvey. Check out the Fauche, Azorians, Badowins, the amoeba-like Ngu and chameleon-like Xhix. Tell me what you think.

Rhea’s Proverbs:

Part of her liberal use of sarcasm, Rhea Hawke is known for using Earth proverbs when she confronts a challenging adversary or situation…

Outer Diverse:

  • “Talking without thinking is like shooting without aiming” Old Chinese proverb
  • “Don’t open a shop unless you know how to smile.” Jewish proverb
  • “Don’t chase a dog into a blind alley—it might snap at you.” Chinese proverb
  • “The person who says it cannot be done should not interrupt the person doing it.” old Chinese proverb
  • “After victory, tighten your helmet chord.” Japanese proverb
  • “The afternoon knows what the morning never suspected.” Old Swedish proverb
  • “A hunting dog will eventually lose its life on the mountain.” Chinese proverb
  • “First rule of engagement: never underestimate your enemy, especially if she’s human.” Rhea’s proverb
  • “When you go up to the mountain often, you will eventually encounter the tiger.” Chinese proverb

Inner Diverse:

  • “They will eat the fruit of their ways and be filled with the fruit of their schemes.” Proverbs, Bible
  • “Dress the monkey in silk and it is still a monkey.” Argentinian proverb
  • “A drowning man is not troubled by rain.” Persian proverb
  • “Under a ragged coat lies wisdom.” Romanian proverb
  • “Who flatters you has either cheated you or hopes to do so.” Romanian proverb
  • “You can’t pick up two watermelons with one hand.” Persian proverb

Metaverse:

  • “There are many paths to the top of the mountain, but the view is always the same.” Chinese proverb
  • “Knowledge is learning something every day. Wisdom is letting go of something every day.” Zen proverb
  • “The acts of this life are the destiny of the next.” Eastern proverb
  • “Never cut what can be untied.” Portuguese proverb
  • “A little help is better than a lot of pity.” Celtic proverb
  • “What a fool does in the end, the wise man does in the beginning. “Italian proverb
  • “Be careful what you wish for; you’re apt to get it.” Chinese proverb
  • “She who has been bitten by a snake fears a piece of string.” Persian proverb
  • “He who wants a rose must respect the thorn.” Persian proverb
  • “A beautiful thing is never perfect.” Egyptian proverb
  • “Good soyka should be black like the devil, hot like hell, and sweet like a kiss.” Hungarian proverb
  • “The night hides a world, but reveals a universe.” Persian proverb
  • “The difficult is done at once, the impossible takes a little longer.” French proverb
  • “If you can’t dance, you’ll say the drumming is poor.” Jamaican proverb
  • “A cat pent up becomes a lion.” Italian proverb
  • “It’s not enough to know to ride; you must also know how to fall.” Mexican proverb
  • “Each of us must sometimes play the fool.” Yiddish proverb
  • “The only Zen you find at the top of the mountain is the Zen you bring with you.” Zen proverb
  • “Beauty without virtue is like a rose without scent.” Swedish proverb
  • “After the game, the king and the pawn go into the same box.” Italian proverb
  • “Call on God, but row away from the rocks.” Indian proverb

The second book starts with non-stop action, with Reah getting caught and betrayed everywhere she goes. In the first book I found it hard to relate to Rhea in the beginning. In this book I felt more invested in the outcome.  In this book we find out more about the Inner Diverse. In this we find out so much more about the conspiracy to destroy some of the human colonies. As always I get all excited and on tenterhooks and then it finishes. I am now looking forward to  listening to the Book three to find out more. We have Reah somehow managing to escape all the traps she walked into. I hope we get a final resolution for Reah as her heart’s in the right place.

gold-stargold-stargold-stargold-star

I received this audiobook as part of my participation in a blog tour with Audiobookworm Promotions. The tour is being sponsored by Nina Munteanu. The gifting of this audiobook did not affect my opinion of it.

Giveaway

Prize: Print copies of the Trilogy set

The Splintered Universe Trilogy Giveaway: Print Copies of the Trilogy

Book One

Jan. 8th:

Assorted Nonsense

Jan. 9th:

Jazzy Book Reviews

Jan. 10th:

Dab of Darkness Book Reviews

Jan. 11th:

Book Addict

Jan. 12th:

The Book Addict’s Reviews

Jan. 13th:

Smada’s Book Smack

Jan. 14th:

Chapter Break

Lilly’s Book World

Book Two

Jan. 15th:

Assorted Nonsense

Jan. 16th:

Lilly’s Book World

Jan. 17th:

Jazzy Book Reviews

Jan. 18th:

Dab of Darkness Book Reviews

Jan. 19th:

The Book Addict’s Reviews

Jan. 20th:

Book Addict

Jan. 21st:

Chapter Break

Book Three

Jan. 22nd:

Assorted Nonsense

Jan. 23rd:

Lilly’s Book World

Jan. 24th:

Book Addict

Jan. 25th:

Dab of Darkness Book Reviews

Jan. 26th:

Jazzy Book Reviews

Jan. 27th:

The Book Addict’s Reviews

Jan. 28th:

Chapter Break

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Audiobook Release:LIKE THE WIND by J.BENGTSSON, Narrated by Callie Dalton and Zachary Webber

Today, Audible released a new original romance title from author J. Bengtsson and narrators Callie Dalton and Zachary Webber. Like The Wind is available exclusively from Audible, allowing listeners to enjoy the seductive and funny new romance whenever and wherever they want.

Like The Wind

like the wind audible new

Prepare to laugh, cry, and fall in love with this enthralling new romance from J. Bengtsson – available in audio first!

When a letter from his supposedly deceased mother finds its way into his hands, life changes in an instant for international pop star Bodhi Beckett.

Reeling from the deception of those closest to him, Bodhi spirals out of control and is sent to a secluded mansion in the coastal mountains of Southern California for some rest and relaxation. But the retreat proves to be anything but relaxing when a raging wildfire sets the landscape around him ablaze.

While escaping the flames, Bodhi rescues Breeze, a quirky, pet-loving woman, and together the two fight their way to safety. In the aftermath of the fire, Bodhi and Breeze hit the road to uncover the truth about his family. What neither of them expected is to forge a powerful connection that will change their lives forever…but can it survive the real world, or will it disappear like the wind?

Audiobook Review Tour: OUTER DIVERSE ( The Splintered Universe Trilogy Book 1 ) Written by NINA MUNTEANU, Narrated by DAWN HARVEY!@aliennextdoor @Dawn_M_Harvey

Author: Nina Munteanu

Narrator: Dawn Harvey

Series: The Splintered Universe Trilogy, Book 1

Length: 11 hours 27 minutes

Publisher: Iambik Audio Inc.

Genre: Science Fiction

Outer Diverse is the first book of the Splintered Universe Trilogy, set in and around the Milky Way Galaxy. The first book begins as Galactic Guardian Rhea Hawke intestigates the massacre of an entire religious sect, catapulting her into a treacherous storm of politics, conspiracy and self-discovery. Her quest for justice leads her into the heart of a universal struggle and toward an unbearable truth she’s hidden from herself since she murdered an innocent man.

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Nina Munteanu is a Canadian ecologist and novelist. Her novels include: Collision with Paradise; The Cypol; Angel of Chaos; Darwin’s Paradox; The Splintered Universe Trilogy; and The Last Summoner. In addition to eight novels, she has authored award-winning short stories, articles and non-fiction books, which were reprinted and translated into several languages throughout the world. Recognition for her work includes the Midwest Book Review Reader’s Choice Award, finalist for Foreword Magazine’s Book of the Year Award, the SLF Fountain Award, and The Delta Optimist Reviewers Choice Award. Nina’s latest non-fiction book—“Water Is…” a scientific study and personal journey as limnologist, mother, teacher and environmentalist—was picked by Margaret Atwood in the NY Times as her #1 choice in the 2016 ‘The Year in Reading’.

Nina is a member of SF Canada. Much of Nina’s work is on the environment and sustainability, examining the role and evolution of humanity in the context of nature and technology. Her upcoming novel “A Diary in the Age of Water”, a near-future dystopia that explores the socio-political intrigues of water shortage in Canada, will be released in 2019.

Nina regularly publishes reviews and essays in magazines such as The New York Review of Science Fiction and Strange Horizons. She has been staff or guest writer for several online and print magazines or newspapers including Amazing Stories, Clarion, Niverville Citizen, and CBC Canada Writes. Nina co-edits Europa SF, a European speculative magazine. She was assistant editor-in-chief of Imagikon, a Romanian speculative magazine, and currently edits for Grimoire Books, USA, and Future Fiction, Italy. She has also served as acquisition editor of several anthologies such as “Water” (Reality Skimming Press) and “My Canada” (IOWI). Nina was interviewed or an invited speaker on topics to do with science & climate change, eco-fiction, writing and publishing at: The Globe and Mail, CUIT Radio, Delta Optimist, the Editors’ Association, Gazeta SF, Mississauga News, Impakter, Langley Times, THAT Channel, Observatorul, Planet S, Speculating Canada, Times Colonist, The Commentary, World Poetry Café, Wonderville, CanCon, and When Words Collide, among others. Nina was the science fiction writing Guest of Honour at Limestone Genre Expo in 2016.

Nina has taught writing since 2005 and currently lectures at George Brown College andthe University of Toronto. She has been a writing coach and editor since 2005 and has worked with novice and established writers toward successful publication. Her books on writing “The Fiction Writer: Get Published, Write Now!” and “The Journal Writer” (Starfire) are used in universities worldwide. They were translated into Romanian and published by Editura Paralela 45.

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Narrator Bio

Dawn is an actress, singer, voiceover artist, and writer. She has narrated just under 50 audiobooks and is the recipient of both Earphone and SOVAS Awards for her audiobook work. Dawn lives in Calgary, Alberta, Canada, holds both Bachelors and Masters of Law degrees, is the mother of three adult children and shares her life with Dani, the most perfect dog in the world!

Dawn has been performing for as long as she has been able to walk, talk and sing. Her first memory is of being 5 years old, waiting on top of a hill with her family for the fireworks to begin and entertaining the hill full of audience members by dancing and singing “We’ll Sing in the Sunshine”, a song that had been released by Gale Garnett only a week earlier.
A stage and film actress for decades, Dawn began her voiceover career over a dozen years ago. Dawn’s voice has been described as rich, warm, smooth, soothing, calming, sultry, confident, and comforting. Specializing in narration, e-learning, animation and audiobooks, Dawn’s years of acting training enable her to bring characters, their voices and their stories to life. Dawn’s love of learning new accents and developing new characters results in the growth of her portfolio year over year. Dawn’s equal love of learning in general (how many actresses do you know who hold a Masters of Law degree? It might be a sickness, really) has resulted in her acquiring extensive training in acting for film, stage and voiceover over the years and to this day. This, in addition to her years of classical singing, musical theater and dance training, combined with her love of play and fascination with the human psyche (her undergraduate training is a combination of theatre, psychology and oil and gas management), allow her to continually create authentic characters, unique to a project’s requirements.

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  • Tell us about the process of turning your book into an audiobook.
    • The process was magical for me. It was professional and proceeded at a pace that felt productive. All of this was mainly because of the professional relationship I had with the narrator. From audition to each step of quality assurance in ensuring character voice, pronunciations, mood, tempo, etc. the narrator and I were in good communication. The final product shows. I can’t recall how long it took for each audiobook to be created, but it didn’t feel long.
  • How did you select your narrator?
    • Dawn Harvey auditioned for my first book along with two other narrators through the audiobook publisher, Iambik. I picked Dawn because her voice resonated with my idea of my main character, Rhea Hawke, a cynical badass detective on a mission to save the world. Dawn’s voice carried attitude and sarcasm as well as compassion and kindness. It was exactly what I was looking for in my paradoxical character. Given that the book is told in the first person, the main character voice was critical. Dawn just nailed it. When the second and third books came out, I just HAD to have Dawn do them too–not just for consistency, but because in my mind, Dawn WAS Rhea.
  • How closely did you work with your narrator before and during the recording process? Did you give them any pronunciation tips or special insight into the characters?
    • We worked fairly closely. Dawn took the driver’s seat in it. She was very professional. She sent me sections of audio to check for tone, voice, etc. She created a list of voices (I had at least twenty different alien species she needed to create unique voices for–one with multiple mouths! And another was a kind of “amoeba”–her voices were splendid!) and a list of terms with her pronunciations for me to vet. She had also asked for more information on the characters, which I was able to provide, given I keep a character dossier on all characters I create.
  • Were there any real life inspirations behind your writing?
    • There were many, but I’ll tell you about one. My historical fantasy The Last Summoner was inspired by a work of art by Croatian artist Tomislav Tikulin. It was the image of a magnificent knight, standing in a huge drowned cathedral–littered by war– the knight gazes up at the vaulted ceiling. A great light shines on the knight in streams of white gold. It sent my imagination soaring with thoughts of chivalry, adventure and intrigue. Who was this knight?
  • How do you manage to avoid burn-out? What do you do to maintain your enthusiasm for writing?
    • Burnout happens when you push too much or let others push you too much. Letting go and flowing with my own creative juices and inspirations is something I had to learn to do. There’s a balance, of course, because discipline is also necessary to get things done. Working for others as a writers, I often have deadlines. I deal with this by prioritizing my work and setting (or accepting) realistic deadlines. I don’t procrastinate and start early to give me time to let things sit and my creativity flow and meander freely. When I’m working on several projects (which is most of the time), I let myself move from one to the other as my muse takes me; this allows the creative process to flow unrestrained and more efficiently. Burnout arises from frustration; I feed my whimsical muse so this doesn’t happen.
  • Are you an audiobook listener? What about the audiobook format appeals to you?
    • I like to listen to audiobooks in the car, especially when I’m on a long trip. I find it a wonderful way to enjoy a book. It’s very relaxing. When my best friend and I used to do road trips down to California from Vancouver, we took turns reading a novel or nonfiction book out loud as the other drove. It was lots of fun. With audiobooks I can do the same even when I’m the only one in the car!
  • What gets you out of a writing slump? What about a reading slump?
    • If I’m in a slump, it’s usually because I can’t figure something out–usually some plot point or character quirk or backstory. What helps me is to put the book I’m working on away and do something else. It could even be writing something else, so long as it isn’t my book. Or I could do something else on the book such as edit a certain section or research some element. Other ways I coax my muse back are walks in Nature, reading a good book, visiting the library or a bookstore and cycling.
  • What bits of advice would you give to aspiring authors?
    • Learn your “voice” and how it’s unique from anyone else. Write from the heart, write something that means something to you, and keep writing. Success in writing results from a passion to share. If you infuse your writing with passion, everything else comes with it: the patience and determination to learn craft, marketing, and the persistence in your pursuit.
  • Do you have any tips for authors going through the process of turning their books into audiobooks?
    • Know what you’re looking for to represent the “voice” of your book. Know the narrative voice you want for your book and don’t compromise on it. Work respectfully with your narrator: if they are good, they will turn your cherished book into something more than it was. Let it surprise you and delight you. Together, you and your narrator will become more than the sum of the parts. Enjoy the process and don’t rush it.
  • What’s next for you?
    • I recently finished my latest novel, “A Diary in the Age of Water”, which was picked up by a Toronto publisher and will be out in 2020. I am currently working on the third book in my “Alien Guidebook” series of writing guides. This one is called “The Ecology of Story: World as Character” and I’m having lots of fun with it! Re audiobooks, I’d love to work with Dawn Harvey again and I’m looking into creating a series of short audio films from my 12-chapter book on water (“Water Is…”). What do ya think, Dawn?…
Guest Post

What Kind of Hero is Rhea Hawke? by Nina Munteanu

“Rhea Hawke…I want to be her when I grow up.”–Amazon Review

Something is changing for women—and for men too. I’m talking about storytelling—and what makes a hero. Only a few years ago, no one would have predicted the success of Wonder Woman, which portrays a well-rounded female hero as both “badass” warrior (strong, determined and violent) and kind (compassionate, nurturing, empathetic and inclusive).

The male hero stereotype of western neoliberal-corporate culture—and science fiction particularly—has often been characterized by strength, courage, honor, intelligence, and assertive single-mindedness. He is the altruist warrior, often acting alone against an unfair society: all traits honored, respected and esteemed in men. In a woman, these Boadicean qualities often taint her as “bitch”, “bossy”, “cold” or even heartless. She may be considered unwomanly, unlady-like, intimidating, and untouchable (as in lesbian).

In the patriarchal model, a woman “hero” must shed her feminine nurturing qualities of kindness, tenderness, and inclusion, to express those hero-defining qualities that are typically considered male. I have seen too many 2-dimensional female characters limited by their own stereotype in the science fiction genre—particularly in the adventure/thriller sub-genre. If they aren’t untouchable goddesses or “witches”, they are often delegated to enabling the “real hero” on his journey through their belief in him: as Trinity enables Neo; Hermione enables Harry; and Lois enables Superman. In so many of these storylines, the female—no matter how complex, interesting and tough she starts out being—demures to the male lead to support his hero’s journey—without considering her own. And this often means serving as the prize for his chivalry. There’s even a name for it: the Trinity Syndrome.

A different kind of hero is gaining momentum in science fiction and action-thrillers in which the heroic gifts of altruism, compassion, faith, courage, passion, and endurance drive the female lead. We see her in movies and TV shows like Edge of Tomorrow, Hunger Games, Divergence, Orphan Black, Farscape, Battlestar Galactica and The Expanse. She fights the dragons of prejudice, ignorance, cruelty, greed and intolerance–either in partnership with her male counterpart or alone.

Enter Rhea Hawke, Galactic Guardian: wounded hero with a massive grudge. She’s the only human in a galactic police force of giant alien Eosians (who she despises). In the early scenes of Outer Diverse, Rhea is a “badass”; but she’s also far from heroic—displaying cynicism, open racism and even cruelty to her own colleagues. And yet, in her stubborn resolve to solve the massacre of a spiritual sect—even after she’s fired for killing her suspect—and to solve the mystery of the alien spectre of the Vos (who destroyed her home planet Earth), Rhea betrays a humane need to right all wrongs, including her own.

Rhea’s journey is large—epic, even. It’s a journey of transformation, both literally and figuratively. Her journey of self-discovery will take her across the galaxy, only to find that compassion and forgiveness were with her all along. She just needed to uncover them to find her whole self. Her sometimes foil and love-interest, Serge, continually bates her, challenges her and even betrays her. By turns a foil and an ally, Serge is Rhea’s perfect counterpart; not weaker or stronger, he is an equal to her. A true partner. And their banter is some of the most rewarding writing I’ve done in my career.

Profile of Rhea Hawke

Date and place of birth Twenty-three years ago, 192 SGT, in Vancouver, Canada; daughter of Laura Wood and Colonel Mark Hawke. Hawke was shot down in the Vos invasion of Earth when Laura was six months pregnant with Rhea—just as the Eosians came to rescue Earth from annihilation.
Physical attributes Face dominated by strong features for a woman: a long, almost aquiline nose and full mouth framed by well-defined cheek bones and a firm jaw. Face framed by dark, long, wavy hair, which Rhea tends to tie back when she’s working. She stands at 6-feet and carries a long confident stride.
Idiosyncrasy A tendency to bluster and bluff with biting sarcasm when under attack. She often recites a wise proverb when she’s nervous. Rhea hides her kindness and compassion—even from herself—with an arrogant, overly-confident and alienating composure.
Job Galactic Guardian Enforcer. Rhea joined when she was fifteen. She served as an Enforcer-in-training for two years then became a full Galactic Enforcer at seventeen—over much protest from the rest of the Eosian Precinct.
Weapon of choice MEC (Magnetic-Electro-Concussion) pistol, a solid handgun of her own design. In a single sweep, the wave-weapon can maim, render unconscious or kill according to someone’s DNA.
Clothing of choice Black Enforcer clothes and her Great Coat, made of intelligent material that protects, alerts, and enhances her abilities in her work.
First injury as an Enforcer A long wound on her lower left buttock from the slash of a dool blade; she’d received it in a skirmish with Venik slave traders who had ambushed her on EpsEri 2. It was before she learned how to handle her Great Coat
Most loved 1) Jasper, her tappin, a cat-like stray she feeds and sleeps with when she’s home. 2) Serge, the mysterious seductive art collector (before her discovery)
Most hated 1) The Vos, who invaded the galaxy and killed her father. 2) The Eosians, who saved Earth from annihilation by the Vos. It’s complicated. Rhea calls them baldies (given they are completely hairless). 3) Serge (after her discovery)
Most ironic Rhea signed on with the Galactic Guardians, Rhea as the only human amid only Eosians—who she hates.
Favourite drink/drug Rhea likes to drink soyka, a coffee-like soy-based stimulant. She is addicted to soyka gum and relies on it when she is nervous. Despite telling Laura Dob of Galaxy News that her favourite drinking place is the Muddy Pit in the Hive, Rhea very seldom goes there.

Dark secret

Rhea has several, but the best ones she isn’t even aware of.

This is the first book in a new series and the first from this author for me. We follow the misadventures of Reah Hawke an Galactic Guardian, who is investigating mass murder of a Religious Sect. This is a long listen and you have concentrated at first to get the picture on Reah, the universe she inhabits. We follow Reah’s investigation with a tough and gruff EXTERIOR HIDES of things that have happened in her past that have haunted her ever since. The more you learn the more you want to KNOW. There is one concession when I finished there is book two to listen too.
The narration is addicting leaving you wanting more.

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I received this audiobook as part of my participation in a blog tour with Audiobookworm Promotions. The tour is being sponsored by Nina Munteanu. The gifting of this audiobook did not affect my opinion of it.

Giveaway

Prize: Print copies of the Trilogy set

The Splintered Universe Trilogy Giveaway: Print Copies of the Trilogy

Book One

Jan. 8th:

Assorted Nonsense

Jan. 9th:

Jazzy Book Reviews

Jan. 10th:

Dab of Darkness Book Reviews

Jan. 11th:

Book Addict

Jan. 12th:

The Book Addict’s Reviews

Jan. 13th:

Smada’s Book Smack

Jan. 14th:

Chapter Break

Lilly’s Book World

Book Two

Jan. 15th:

Assorted Nonsense

Jan. 16th:

Lilly’s Book World

Jan. 17th:

Jazzy Book Reviews

Jan. 18th:

Dab of Darkness Book Reviews

Jan. 19th:

The Book Addict’s Reviews

Jan. 20th:

Book Addict

Jan. 21st:

Chapter Break

Book Three

Jan. 22nd:

Assorted Nonsense

Jan. 23rd:

Lilly’s Book World

Jan. 24th:

Book Addict

Jan. 25th:

Dab of Darkness Book Reviews

Jan. 26th:

Jazzy Book Reviews

Jan. 27th:

The Book Addict’s Reviews

Jan. 28th:

Chapter Break

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Audio Release: REPEAT by New York Times Bestselling Author KYLIE SCOTT!@kylieScottbooks @InkSlingerPR

Repeat by Kylie Scott

 

Blurb:

From Audie Award winning, New York Times best-selling author Kylie Scott comes an irresistible new romance— available in audio first!

When a vicious attack leaves 25-year-old Clementine Johns with no memory, she’s forced to start over. Now she has figure out who she was and why she made the choices she did – which includes leaving the supposed love of her life, tattoo artist Ed Larsen, only a month before.

Ed can hardly believe it when his ex shows up at his tattoo parlor with no memory of their past, asking about the breakup that nearly destroyed him. The last thing he needs is more heartache, but he can’t seem to let her go again. Should they walk away for good, or does their love deserve a repeat performance?

 

AUDIBLE|KINDLE|PAPERBACK|NOOK|APPLE|KOBO

 

Meet Kylie Scott

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Kylie is a New York Times and USA Today best-selling author. She was voted Australian Romance Writer of the year, 2013 & 2014, by the Australian Romance Writer’s Association and her books have been translated into eleven different languages. She is a long time fan of romance, rock music, and B-grade horror films. Based in Queensland, Australia with her two children and husband, she reads, writes and never dithers around on the internet. You can learn more about Kylie from http://www.kylie-scott.com/

FACEBOOK | TWITTER | FACEBOOK FAN GROUP | INSTAGRAM | GOODREADS

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NOW IN AUDIO: Lydia’s Penance by Golden Angel is Now Available on Audible!

 

NOW IN AUDIO!
Lydia’s Penance by Golden Angel is available on Audible.

GRAB YOUR COPY TODAY → https://amzn.to/2RgR5wV

BLURB:

When her home situation becomes unliveable, Lydia hopes to escape through a marriage and her qualifications for her new husband are not long. Unfortunately she’s a too-old bluestocking with nothing to tempt a man into wedding her, but desperate times call for desperate measures.

The Duke of Manchester has been tricked and trapped into marriage with the quietly stunning Miss Lydia Stafford – he just doesn’t know why. She’s not a fortune hunter, she’s not a social-climber, and she’s still a virgin.

While she appeals to him on many levels, how can he trust a woman who trapped him into wedlock and won’t explain herself? Isaac tells himself he could never love a woman who trapped him, but what if she had good reasons for doing so? What if, despite her secrets, he fell in love with her?

This book has 101,000 words, contains a trapped alpha male with a heavy hand for discipline, a distressed and desperate young lady, and the creative use of ginger. Heat level – incendiary.

About Angel

Angel is a self-described bibliophile with a “kinky” bent who loves to write stories for the characters in her head. If she didn’t get them out, she’s pretty sure she’d go just a little crazy.

She is happily married, old enough to know better but still too young to care, and a big fan of happily-ever-afters, strong heroes and heroines, and sizzling chemistry.

She believes the world is a better place when there’s a little magic in it.

Find Angel Online!


Amazon → http://amzn.to/2DplX3X

BookBub → http://bit.ly/2G68e3O
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Website → http://www.goldenangelromance.com

Audiobook Review: LOVE SINCERELY YOURS by USA Today Bestselling Authors SARA NEY and MEGHAN QUINN, Narrated by Ava Erickson, Alexander Cendese!@SaraNey @AuthorMegQuinn @InkSlingerPR

AUDIOBOOK REVIEW

LOVE SINCERELY AUDIO

Love, Sincerely Yours
By: Sara Ney, Meghan Quinn
Narrated by: Ava Erickson, Alexander Cendese
Length: 7 hrs and 45 mins
Unabridged Audiobook
Release date: 29-10-18
Language: English
Publisher: Novel Audio

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Dear Mister…**strike out** no, too formal.

Hey there sweet cheeks *strike out* no, too forward.

To whom it may concern,

Full disclosure; before we move forward with this email, I would like it to be known that I have consumed an adequate amount of alcoholic beverages to intoxicate myself tonight. Three margaritas, two shots, and one beer—because it was free.

I think it’s important to be open and honest with your co-workers, don’t you?

So here I am, being honest. Drunk but honest. Or just drunk with lust? You decide.

I like you so much it’s clouding my judgment and making me do things I never would sober. Like write this letter.

I have a hopeless, foolish, schoolgirl crush on you when you are the last person on earth I should be falling for. Did you know people around the office call you a sadist? An egomaniac. An insensitive, arrogant prick. Your bark is worse then your bite, and you don’t scare me. The fact is, I’d love that bite of yours to nip at my bare skin while we’re both wearing nothing but sheets.

For once I want you to look at me as more than one of your employees.

And as long as we’re being honest, that navy blue suit you wear? With the crisp white shirt? It really makes me want to loosen your tie and show you who’s boss.

Love,

Sincerely,

Yours.

 

 

 

AVAILABLE NOW

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** KU NOT AVAILABLE WITH THIS RELEASES **

 

Like a goddamn ray of sunshine, light streaming behind her from the window, a halo shining above her pretty head.

Her lying, beautiful head.

Dark hair, wavy and glossy, down around her shoulders, the rich color picking up red from the sun.

She’s holding a glass—it’s poised at her lips and she’s about to take a sip—when our eyes meet. She lowers it, her mouth parts, and her smile spreads.

Until I scowl. Then, her face morphs from happy to concerned in a second. Damn right she should be concerned.

I nod.

She nods.

My eyes trail down the front of her and I note her dress—it’s baby blue, wrapped and tied at the waist, and shows off her curves while highlighting her legs in those sexy-as-shit heels.

Stop thinking about her curves and legs. You’re not here to admire her.

The pile of gifts in the corner pisses me off, bringing me back into the present, back to my rage, and has me lifting my arm; crooking my finger.

Peyton’s brows go up at the same time her head cocks and she pokes a finger into her own chest. “Me?”

“Yeah. You.” I know she can’t hear me, but I say it anyway—and if she’s any good at reading lips, she’ll haul her ass over here right quick.

Her cup is passed. Skirt gets smoothed out. Chin tilts high.

She heads over.

Good girl.

“Follow me,” I order her when we’re on the outskirts of the room. When we’re clear across the office common area, I pivot to face her.

She’s shorter, even in heels, so I have to dip my head to glare at her. “Want to tell me exactly what the fuck is going on in there?”

 

 

REVIEW:

I really loved this book and especially Peyton who has an unrequited attraction to her boss. Rome her boss has no idea Peyton exists, when he whole concentration is totally on the business he built from the ground.
That is until she hands in her notice, as she is starting her own business. Hoping for some work as a consultant, with no luck. While working her notice Rome finds out how irreplaceable she is.
After drinking too much at her leaving do, she decides to send him a message or more of a drunken proposition with the theme being “I want to bang you” the phrase that keeps going through Rome’s brain.
At first Rome is appalled, but then he can’t help responding. So the dance begins, as Rome soon realises what an integral part of his marketing Peyton was. Rome becomes obsessed with communicating with handsromingmybody. This is a slow burn kind of romance, but once on the go gets very hot and Rome becomes quite swoony. Rome is a not a ladies man, devoting himself to his business. His best friend and business partner Hunter is the only person he could talk to. When he was with Peyton she could see through him and knew what he wanted. A really enjoyable read and can’t wait for hunter’s book which hopefully is coming soon.
A Great writing duo has been born and I can’t wait for more.

Wow what great narration, I have read the book and loved it. Listening to this audiobook Ava Erickson and Alexander Cendese just brought the characters to life in a different way. I loved it when Alexander was reading the emails from Peyton it was hilarious. Hunter was great I can’t wait for his book. Ava is always excellent, and brought Peyton to life and the performance which left me mesmerized. This is the first time I have listened to Alexander and it won’t be the last.

gold-stargold-stargold-stargold-star

 

MEET SARA NEY

Sara Ney is the USA Today Bestselling Author of the How to Date a Douchebag series, and is best known for her sexy, laugh-out-loud New Adult romances. Among her favorite vices, she includes: iced latte’s, historical architecture and well-placed sarcasm. She lives colorfully, collects vintage books, art, loves flea markets, and fancies herself British.

She lives with her husband, children, and her ridiculously large dog.

Facebook | Twitter | Instagram | Newsletter | Website

 

 

MEET MEGHAN QUINN

 

Born in New York and raised in Southern California, Meghan has grown into a sassy, peanut butter eating, blonde haired swearing, animal hoarding lady. She is known to bust out and dance if “It’s Raining Men” starts beating through the air and heaven forbid you get a margarita in her, protect your legs because they may be humped.

Once she started commuting for an hour and twenty minutes every day to work for three years, she began to have conversations play in her head, real life, deep male voices and dainty lady coos kind of conversations. Perturbed and confused, she decided to either see a therapist about the hot and steamy voices running through her head or start writing them down. She decided to go with the cheaper option and started writing… enter her first novel, Caught Looking.

Now you can find the spicy, most definitely on the border of lunacy, kind of crazy lady residing in Colorado with the love of her life and her five, furry four legged children, hiking a trail or hiding behind shelves at grocery stores, wondering what kind of lube the nervous stranger will bring home to his wife. Oh and she loves a good boob squeeze!

Facebook | Follow on Goodreads | Website | Amazon Author Page | Instagram | Follow on BookBub

 

Audio Blast: RAINY DAYS by A.S. KELLY!@ASKelly_

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Tormented rock star Liam O’Reilly left Dublin and achieved success, hoping to build a new life, free from the demons of his past. Now that seems he’s got everything he ever wanted, why isn’t he happy? Is it because he’s realized that the most important thing in his life is the promise that he never kept?

Sensitive and damaged Rain O’Donovan lives with her brother and his friends in a tiny seaside town north of Dublin. Once a popular and lively schoolteacher, a car accident has wrecked her life, so that her only pleasure is walking in the rain, and her world revolves around mundane tasks, devoid of hope for the future. The amnesia around the time of the accident that changed everything means that her struggle with life is a day-to-day torture, and, more than anything else, she longs for answers.

When Liam returns to his home town after his two-year absence, he’s determined to try to make amends for the terrible mistakes he made. But is it too late to put things right?

Rainy Days is a complete standalone and a part of the Four Days Series.

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A.S. Kelly was born in Italy but lives in Ireland with her husband, their two children and a cat named Oscar.

Bookworm, music passionate, coffee drinker, she lives in a small village in the North of Dublin, where she looks for inspiration for her new stories.

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